hermionesviolin: Tina Modotti photograph: Mexican sombrero with hammer and sickle, 1927 (Tina Modotti)
While we're all celebrating Kissinger's death, the Kissinger Death Tontine website (shoutout to pearwaldorf for being how I heard about that) has a list of organizations you can donate to to help undo some of the damage of US imperialism:
Cambodian Children's Fund
Desafío Levantemos Chile (I struggled with this donation portal, so if anyone has recommendations for other relevant orgs in Chile...)
East Timor and Indonesia Action Network
Guatemala Forensic Anthropology Project
The Halo Trust (Angola)
Yemen Relief Project (this website seems outdated, and I think maybe it is now the Yemen Relief and Reconstruction Foundation, which at least exists on Charity Navigator; I'm open to suggestions if anyone knows anything about Yemeni orgs)
hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
On the MLK Day holiday last night, Thom and Colleen watched a YouTube concert which I dipped in and out of.

Like, Rachael Sage was on the artist list -- leading to this from me in chat:
I mean, do I know any of Rachael Sage's songs other than "The Spirit We" off of her 1996 album _Morbid Romantic_? Maybe not. But when I was going through the list just now I recognized her name and had a college flashback.

Oh, also "Bruises Without Blue" from _Smashing the Serene_ (1998)? /me has been Googling to remind myself what songs of hers I actually know, obviously
and then today:
omg, Google reminded me of "Sistersong" (also from _Smashing the Serene_).  Which I'm a little bit ashamed of, because that one is my *favorite.*.
I'm definitely also trying to remember who sent me MP3s of her songs when I was in college. [livejournal.com profile] offbalance?

+

So, this is from the blurb for the concert:
“Move Forward Virtual Music Fest,” to raise money to safely relocate two historic Confederate Monuments from the Bastrop County Courthouse Lawn, in Bastrop, TX, will take place on Monday, Jan. 18th (MLK Day ’21) at 6:30pm CT.
HOW TO GIVE:
By online donation: https://www.bastropconfederatemonumentrelocationfund.org/
And it was mostly music, but this white dude who does The Daily Stoic podcast talked for, I kid you not, 15 minutes (well, including the below-mentioned second video). I had him muted almost his entire time.
Thom:

"Do I still appreciate German culture and my German family? Sure." JESUS FUCKING CHRIST  

MY GOD. HE FINISHED AND THEN THERE'S ANOTHER PRE-RECORDED VIDEO FROM THE SAME DUDE‽‽‽‽  

I HOPE HE GAVE THEM A FUCKTON OF MONEY  

me:

> Grace Pettis
> This is Ryan Holiday, best-selling author and Bastrop local, who has already given $10K to the cause.

Thom:

FINE

Still wanna claw out my ears.

Hell hath no torment like a White Man with a Mission  

"Our norms are collapsing." I can't even....  

me:

I mean, lbr, I'm a little dubious about this whole project to "ensure that the history these two monuments represent is preserved" (to quote from the donation website).  Like, just bring them down and grind them into dust.  No one needs this to be preserved.

Thom:

I mean, there's an argument for keeping things in a museum, but yeah, what value do these monuments even have that a history book or museum plaque can't?  

click to read us getting increasingly upset about 'preserving' Confederate monuments )
+

Some of the music was good, though?

Grace Pettis' "White Noise" led me to say in chat:
"What have you done? Where is your brother?"  I am here for the subtle biblical references in this song.  (Among other things.  This is maybe my favorite song of the night?)

I also appreciate this:
> MPress Records recording artist Grace Pettis has released a powerful new single, "White Noise". 100% of the proceeds will be donated to Color Of Change, which "leads campaigns that build real power for Black communities" (including their current fight for justice for Breonna Taylor).
-https://www.pastemagazine.com/noisetrade/music/gracepettis/white-noise
(Yes, it was probably my favorite, even though The Chicks showed their "March March" music video.)

Not all the songs were Issue songs, which was fine, but of the ones that were, I vastly preferred the ones that didn't feel blandly, "Love, be nice to each other, we're all the same, maybe some bonus patriotism."

+

Thom last night:
I appreciate that a bunch of the men needed to bloviate and Jackie Venson is like, "Great cause. Gonna play you some songs."
And then Thom in group chat today:
Watching Nobody’s Girl videos, then listening to Jackie Venson, from last night’s show.

I appreciate that BettySoo’s entire consistent aesthetic in this video seems to be “Fuck your beauty standards; I could not be bothered to brush my hair."

Okay, I saw maybe one or two exceptions? But there are definitely multiple shots of her “dressed up” with (intentionally?) unkempt hair.

I also appreciate that this is clearly a pandemic video, including appearances by pets, projects, and at least one partner.  

https://www.youtube.com/watch?v=yDNXzeUapeE

The song is kinda meh, musically, and I did not do a good job following the lyrics.  

Liking “Waterline” a lot better (not that “Tiger” was _bad_, exactly): https://www.youtube.com/watch?v=qDvSW81rYGQ  

I prefer the acoustic version of this (link below) to the one on the album, but that surprises maybe nobody: https://www.youtube.com/watch?v=48zglqwnjB0
hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
I said on FB earlier today:
RTing lots of things about how red states are often only red (or even purple) due to aggressive voter suppression efforts has me thinking that probably orgs working against voter suppression are where I'll be investing in the near-term.

Also: reminder that, in fact, there are lots of progressive doing hard work in the states that we in places like Boston want to write off -- and lots of marginalized/oppressed folks living in those states, generally. So let's not make glib comments about wishing The South would secede from the Union or whatever.
(Did I set up a recurring donation to Stacey Abrams' org Fair Fight today? Yup.)

Reading TruthOut's "How to Do More Than Panic About Voter Suppression" [from September 16, 2020], I was getting mad all over again about how the state legislature undid so much of Florida's (21018) Amendment 4.

Amendment 4 restored the right to vote to folks who had had a felony conviction*, but after it passed, the legislature added in a hoop that you had to pay all your fines and fees (or petition a judge to have them waived) before you could be allowed to register to vote (SB 7066).

* and who had served their sentence (including freaking probation/parole!), excluding the categories of felony convictions that squick people out (murder or felony sexual offense) -- it was like the Most, "these are just some good people who've done some bad things, but they've paid their debt to society"

I did some phone-banking for Amendment 4 back in 2018, so I'm on Florida Rights Restoration Coalition [FRRC]'s email list, but did I set up a recurring donation to them today? Yup!

It was interesting to notice in myself over the course of today a move from, "Yes, working against voter suppression," to, "Yes! Abolish the carceral police state!" Like, both of them are objectively important, but one of them is clearly where my more sustained efforts are gonna be. (Which should not really have surprised me. 😂)

I was reminded of Frederick Buechner's "The place God calls you to is the place where your deep gladness and the world's deep hunger meet." (from Wishful Thinking: A Seeker's ABC)

I mean, have I invested a lot in world-changing over the past 2 years? No. Do I think I will manage to invest a lot in the next 2 years? Also no. But I can maybe remind myself to do Some Things.
hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
I just made literally 3 FB posts, so maybe a blog post? 😂

***

Today's Super Saturday "Creating Beloved Community" session with Unity Circles and Families for Justice as Healing was So Good.

The first 3 minutes of this "What Is Transformative Justice?" video are amazing (though it's worth watching the full ~10 minutes).

adrienne maree brown:
  • talks about how we've been socialized into "punitive justice"...
  • names "restorative justice" as a first step in the right direction: "Harm has happened. How do we restore ourselves back to that relationship that existed before the harm happened?"
  • but points out that it doesn't necessarily go far enough, "because if the original conditions were unjust, then returning to those original conditions is not actually justice"...
  • says transformative justice goes down to the root system and asks what do we need to do so that this harm is no longer possible?
  • notes that the state is so committed to punitive justice that it's not going to be able to help with transformative justice, so the state is not where we should turn for this...
Mia Mingus' bare bones definition of transformative justice is: "a way of responding to violence and harm without causing more violence and harm."

Also, around minute 7, I really appreciate Ann Russo naming cultivating a culture of accountability, how starting that around small things is really preventative of large harms.

Mia Mingus then builds on that, emphasizing skill-building around:
  • good communication,
  • apologizing well,
  • having generative conflict with the people in our everyday lives,
  • teaching children about consent and accountability,
  • etc.
Mingus notes that with transformative justice, people often rush to the biggest crises and biggest forms of violence -- but that building foundational everyday things is the sustainable work that ripples out and has a larger impact.

Martina Kartman defines transformative justice as: how we prevent violence, how we intervene in violence, and then how we support each other in the aftermath of violence.

Prya Rai lifts up that so much of this work has been done by generations of people who could never rely on people outside of their communities, could never rely on the state (immigrants, queer people of color, disabled people, sex workers, etc.).

***

Also on the subject of transformative justice:
“People think of transformative justice as a lighter and easier way of accountability,” she [Camila Pelsinger, Brown University ’20] adds. “But it’s hard work. It takes months, and lots of vulnerable meetings. It’s seeing the worst things you’ve ever done and looking at them. And you have to reflect without denying it.” She has seen real change in people she works with: “A lot of people didn’t even realize how much harm they had caused, and also how deeply embedded harmful ideas about sex and consent were.”

-"Justice, in Community: A non-punitive approach", Brown Alumni Magazine
***

The Brown article above mentions "pods." More info about that idea (which originated with the Bay Area Transformative Justice Collective [BATJC] in 2014) here.

In this afternoon's Super Saturday workshop, 2 people roleplayed inviting someone into your immediate circle of support pods, and one of them suggested using a specific emoji to indicate "I need this to be a support conversation right now" and/or having specific hours that you both agree you can call on this person.

I loved this emphasis on being thoughtful strategizing in advance about how you would call on this support, and also in being really thoughtful and honest about what your capacity is to offer support.

As someone noted in chat:
Pod mapping is strategic
and thoughtful
and a process
hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
Way to make me feel so nervous about what you're going to ask me!

I was getting tea this morning, and one of the faculty members was getting coffee and said he'd noticed in my email signature that it says "please refer me to using the pronouns she and hers" and asked, "as opposed to what?"

In fairness, I felt way more nervous while actually answering the question than I did in the lead-up but still, I do not recommend, "I hope you don't take this the wrong way" as, well, as something to say probably ever really. (Certainly I've said things like, "This is going to sound meaner than I intended, but I can't think of a better phrasing," so I'm not saying you shouldn't acknowledge when you think something will be taken more negatively than you intend, but...)

I started with saying that people's genders aren't always clear from their names, that some people have gender-neutral names & warmed up to saying that not everyone uses binary pronouns and so sometimes people will volunteer that in their email signature, asking people to refer to them as "they" or "ze" or whatever and that it feels important to me to normalize that practice of volunteering one's pronouns rather than leaving it as something that's only done by people with unexpected pronouns -- "Does that make sense?" He said yes and seemed placated.

Hi, I'm your resident radical queer, I'll be here all forever.

(At coffee on Monday, some folks were talking about the Stanford prison experiment and whether it would replicate today and I literally chimed in with, "police brutality -- people are given power, in a system that dehumanizes certain people, and they abuse that power," and I had never felt so out-of-place far-left at work -- not that anyone pushed back, I don't even remember what got said next, but I just had this sense of total non-engagement.)
hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
I spent most of today on Twitter reading about #AntonioMartin. Before that it was #DontreHamilton. I tried to make a list and oh, so many...

As per usual, December has been busy with work, and I haven't been especially ~feeling~ the Christmas lead-up. This is probably exacerbated by my being in another "the more I engage with the Bible, the less I identify as a Christian" phase.

I went to Christmas Eve service at my mom's church tonight, expecting the usual warm fuzzy kind of service.

We sang "I Heard the Bells," which I don't think we've sung at Christmas Eve before (though we often do at December Singspiration), which pleased me because we don't usually touch on the sadness, the darkness, the fact that all the Christmas joys we sing of have yet to be fully realized. lyrics )

Kevin (the pastor) gave brief reflections after each of the readings, and fine, talk about Jesus as fulfillment of promises, I won't argue with you in this moment about why I feel uncomfortable uncomplicatedly invoking Jesus as fulfillment of Jewish prophecies...

We sang "O Holy Night," though we definitely struggled with it (and not just the high notes in the refrain), which was a bummer to me as some of it is so good. I was pleased that we got to sing
[Her] law is love and [Her] gospel is peace.
Chains [she] shall break, for the slave is our [sibling].
And in [her] name all oppression shall cease.
(Yeah, I didn't edit the Longfellow poem when I c&p'ed it above, but I totally sang she pronouns for Deity throughout the service tonight, as is my tendency when ~inclusifying on the fly.)

In his reflection, Kevin called us back to that bit and talked about how the 2 sins that God was forever chastising Israel about were idolatry & oppression of the poor and the widows ... and I was so stoked and yet all he went on to say was blah blah blah Jesus as fulfillment of promise. Earlier, he had talked about animals in the creche and Saint Francis and Isaiah's promise of the redemption of all Creation, so I was left with the implication that "When God/Jesus redeems all of Creation ... at the Second Coming ... then the oppressed will be raised up etc. [not that we talked about the Magnificat at all] but until then just hang out and trust in God's eventual promise."

When I talked to my mom afterward, she said that Kevin's been talking about discipleship a lot on Sundays, which actually makes it feel worse to me because dozens of people this is the one time you're gonna get them this season and you don't take the opportunity to talk about God's call on their lives? Great, maybe some people learned some new things, but I was left with nothing about why Jesus' birth into the world matters to us now.

Earlier, when the choir director intro'ed "Joseph's Song" (the choir selection), he said something about how we often don't hear much about Joseph, and in my head, I was like, " #WhatAboutTheMen? Really?" The song was mostly Joseph talking about Mary and the baby, so it wasn't that bad -- and I do recognize that there are problematics to erasing Joseph out of the story -- but so often in conversations about folks on the margins/folks who are oppressed, people jump in to try to make sure we also talk about the privileged people and how they matter too, so I'm primed.

Frustrated with the almost-but-not-quite-there mention of Christ's mission of ending oppression, I came out of the service wanting to make my own Christmas (Eve)* service about the inbreaking of God into messy humanity, making Christ's home amongst the marginalized -- possibly incorporating the Jesus wasn't born in a stable argument -- and because I'm me and was cranky about #WhatAboutTheMen and how we skipped Mary's Magnificat in our journey through Luke (1:26-37, 2:1-7, and 2:8-16, but no 1:39/46-55), I wanted to queer the grown-up that baby Jesus would become (trans girl stone butch of my bff's heart or something).

* I admit it hadn't occurred to me until I went to write this just now how this service might be different if it were a Christmas Eve vs. Christmas Day (or elsewhere Christmastide) service ... what it is that we're maybe trying to get at with a Christmas Eve service that might be different from e.g. a Christmas Day service.
hermionesviolin: image of Buffy and Giles seated in the school library with text "knowledge is power" (knowledge is power)
Apples to Apples: Bible Edition tonight went well. My mom brought homemade chocolate chip cookies (undercooked per my preference, which conveniently is also the preference of my best friend and my housemate) and also the British chocolate my sister-in-law had sent (saving on shipping costs, she sent my chocolate along with the stuff for my mom, knowing my mom sees me in meatspace with some regularity).

Housemate made Real (loose-leaf) tea for my mom -- and demonstrated the trick Houseguest J does with tea bags. My dad would have loved it. Speaking of whom, there was a conversation during the game involving terminal velocity and dropping mice from great heights.

Allie, I thought of you when we had an angelology question.

I won: Dull, Fascinating, Evil
Someone [ed.: Ari] won "Sinful" with "Sin." (Tautological card is tautological. Semi-relatedly, I am possibly going to cull some of the redundant green cards -- e.g., Delicate/Fragile.)
Ari thinks she and [livejournal.com profile] eponis tied with 9 cards/each.

***

"Joy Sadhana is a daily practice in the observation of joy."
-[livejournal.com profile] mylittleredgirl [more info]

"Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up." --Anne Lamott

Read more... )
hermionesviolin: (be brave now)
Last Tuesday night I was at a visioning session [and yes, I would like a less ableist term for that] for a group I've been involved with for much of this year, and I repeatedly said that social justice isn't where my passion is. And just about every time I said it, I felt a little twinge like I was lying -- because fat pol and disability pol and mental health pol ... these are all issues that have become very important to me. But they're not issues where people are going to say, "Yes, I'm totally on board with that -- or at least as a good liberal I feel like I 'should' be."

And so I frequently don't speak up and advocate for these things I care about, because I am, contrary to how I may appear, frequently a risk-averse confrontation-avoidant person. (Reasons I don't self-identify as an activist.)

So I am owning the things I care about.

Read more... )
hermionesviolin: black and white photo of Emma Watson as Hermione, with text "hermionesviolin" (hermione by oatmilk)
So, my introduction to Alyssa Bereznak/Jon Finkel thing was Sady's Tiger Beatdown piece.

I feel like I remember reading stuff about Sady being problematic, but I can't remember or find them now. So my Subject Line question is a genuine one. Though, okay, it would probably be more accurately phrased as, "Remind me why I am advised to be cautious with Sady?" since yes, I know that people's fail does not totally negate their humanity or anything.

I delicious'ed a bunch of Thirteenth Child stuff yesterday for easy linking when I GR reviewed Dealing With Dragons, and I continue to be reminded that delicious'ing EVERYTHING is a good idea, because I will find myself hours to years later looking for something I remember reading and can't find again.

And speaking of problematic people leaving a bad aftertaste, this UCC "devotional" has been going around since it came out yesterday, and now I'm disinclined to read the author's co-authored book This Odd and Wondrous Calling: the Public and Private Lives of Two Ministers. There are valid critiques of the "spiritual but not religious" zeitgeist, and the author even makes some of them, but the way she goes about it is all wrong for the "devotional" format, and I experience her as meaner-than-me-who-is-too-mean-to-be-a-pastor. Edit: Julia linked to this response to the "devotional."
hermionesviolin: a build-a-bear, facing the viewer, with a white t-shirt and a rainbow stitched tattoo bicep tattoo (pride)
So, I have yet to finish the sermon from early October about my problems with the "It Gets Better Initiative," but I was really pleased to see this on facebook:
PUT THIS ON THE {MAP} is reteaching gender and sexuality to professionals such as school administrators, social workers, health care providers and juvenile probation staff. With youth voices at the forefront, our team of educators use dynamic, relevant and informative professional development trainings and workshops to shift the conversation about gender and sexuality in our communities. Find out more on this site about our award-winning documentary, our upcoming tour, and our professional development work.

Our current project Reteaching Gender & Sexuality is a message about queer youth action and resilience. The video was generated to contribute additional queer/trans youth voices to the national conversations about queer/trans youth lives. Reteaching Gender & Sexuality intends to steer the conversation beyond the symptom of bullying, to consider systemic issues and deeper beliefs about gender and sexuality that impact queer youth. We invite you to share the video with your friends, family and networks; we invite you to share with us what THIS issue means to you! The video was created by PUT THIS ON THE MAP!
hermionesviolin: image of Caleb from Buffy with text "none are righteous" (none are righteous)
So, there's "Women's Work" -- which points out a troubling theme(s?) about how women are portrayed on Supernatural.

And then there's "On the Prowl" -- whose subject is eroticized violence enacted on men. I am so not the target audience for this vid 'cause I'm like, "Ew! These scenes I have seen already? Squicked me the first time. These scenes I have not seen before? Squicking me now." And it keeps escalating (I started having to look away from the screen). People in the comments talk about how it problematizes the hurt/comfort trope and I'm like, "Oh, yeah, that trope which has always held -- and continues to hold -- zero interest for me." [This is an interesting meta post on the two vids, though.]

This morning at the gym, I watched the CNN segment on "Love The Way You Lie" -- the Eminem & Rihanna & Megan Fox & Dominic Monaghan music video -- and then YouTubed it at the office. It's beautiful, both aurally (okay, Rihanna's voice, I mean -- I would gladly skip all the Eminem bits) and visually ... it's really compelling ... but yeah, the message it sends about domestic violence is really troubling.
hermionesviolin: image of Little Red Riding Hood with text "Nice is different than good" (nice is different than good)
From [personal profile] ephemere's post "Patalim" (trigger warning for descriptions of violence):

Freedom is not forgetting. And forgetting is not freedom. Look at what the loss of our memory has done to us. Look at it, and ask me whether we are better off acting as if the atrocities of the wars and colonizations never happened, as if we have no need for vigilance because the exertion of political and economic will of a foreign power over us cannot happen again, as if we have learned the lessons of the past so thoroughly we will be sure to fight for our rights and the rights of our people to speak and live free, as if we have so fully realized all the evils and all the complexities of power differentials and the abuse of wealth and the exploitation of resources and knowledge and people that we can now equip ourselves to fight against it, as if we recognize the importance of having and claiming our identities and our dignity and the burden and glory that is our history, as if we no longer stumble through the debris and ruin of so many broken institutions and fault ourselves for our own weakness and our own brokenness and the fact that we are not as good and wise and wonderful and wealthy as our former colonial masters. Look at it. Look at how well we have erased the graves, how so many of us go about our daily lives as if there are not more of us being killed every day, how we continue blithely on, the struggles our parents and grandparents and ancestors suffered through mere footnotes in the pages of our books, certainly things that no longer matter in this progressive story of the Philippines in 2010. Look at it, and go on. Ask me.

I don't want to erase this blood staining my legacy. I don't want to forget, as if it never happened. I don't want to keep coming across, "I didn't know the Philippines was a U.S. colony!" as if I do not bear the damage of American occupation written in my nerves and across my tongue. I don't want to see "deathmarching" used as a verb, the same way I deplore how "imeldific" is used as an adjective -- as if history were an erasable thing and words slipping into common parlance an apology or a healing of all these wounds. I don't want people to go on using this in a misguided attempt to remove the blood in it, because forgetting is what gives the evil behind this more power, by allowing the word to go unchallenged and slip under the veneer of acceptability, lightness, cheapening, banality. I don't want the atrocities of war to become equated with mundane things.

I don't want common use. I don't want a sanitized history. I want my stories, past and present, these stories of my people that we have lost and that we're on the verge of losing, held close to my heart and remembered. I want these stories told over and over again, because the need for them will never lift, not the necessity for memory and not the blatant spitting on the dignity of it. I want to claim them though I may choke on tears and tongue in doing so, though I surrender on so many other things daily and remain one frail and weak person still grappling with the fractures in her present and in her past. Because this, too, is part of who I am. Because every story told and every careless use challenged is defiance, is struggle, is me raising my head and saying, this happened, this matters -- is yet another blow against erasure, silence, the unmarking of graves.

[For more, especially on the specific incident that prompted this, check out, for example, fiction_theory/megwrites' post -- links go to LJ/DW, respectively.  Also, manifesta.]
hermionesviolin: black and white photo of Emma Watson as Hermione, with text "hermionesviolin" (hermione by oatmilk)
So, when I first encountered "The Man Your Man Could Smell Like" Old Spice Commercial, I was uncomfortable.  I didn't have a coherent critique, and I wasn't interested in investing a lot of time/energy coming up with one, 'cause hey, advertising, lots of it is problematic.

And then it became a Thing, and yes, I enjoyed, "Study like a scholar, scholar" (while still having problems with it).

And then fandom sort of fell in love with The Old Spice Man.  Which surprised me a little, 'cause hello problematic, but also wasn't that surprising since when does fandom not fall in love with problematic stuff since linguistically playful and/or highly performative provides lots and lots for fandom to play with.

rydra_wong informed the Internet that "Festibility (index post here) has just received the greatest prompt known to humanity."  Which, trufax.

But then tonight, proving why fandom is one of my True Homes, my best friend pointed me to: The Old Spice Man meets FEMINIST HULK [for more about @FeministHulk, see the Ms. Magazine interview].
hermionesviolin: Charisma Carpenter, visible from the neck down, crouched on the ground, wearing black lacy underwear and black stiletto heels, visible in profile, her left arm (with its wrist tattoo visible) down at her side touching her left foot (cc sexeh crouch [wickedripeplum])
Are Victoria's Secret ads inappropriate for a progressive website (because they objectify women)?
hermionesviolin: (Daughter of Eve)
So, I'm reading Susan Wendell's The Rejected Body, and she talks about the social and cognitive authority the medical profession has in our society -- including how the "objective" third-person Authority gets privileged over (and against) subjective lived reality (e.g., regardless of your experience of bodily suffering, we tend to think there's nothing "really" wrong with you until/unless a doctor gives you a diagnosis).

I have a really low sacramental theology (because of the kind of church I grew up in), but I was telling Ari last night that hey now I have fancy new language to use to argue with.

I know that sacraments are outward signs of inward grace, and so they can be really positively powerful for members of the Body, but I still feel really uncomfortable with the idea that having an "official" Authority make a pronouncement makes something more "real" than it was moments before the pronouncement (I'm thinking particularly of sacraments like marriage and ordination here, but I have the same really low sacramental theology of ALL the sacraments I think).

Ari: "So how does this affect your opinion on premarital sex?"

That's a really good question.

One of my answers is that I think making public declaration of your commitment to another person(s), making that relationship publicly accountable, changes the subjective lived reality of that relationship.

But really I think it remains true that I strongly absorbed (from where I'm not sure, since it wasn't from my parents) the conservative idea that sex is ideally supposed to happen within a committed-forever relationship -- not that I think other people are Wrong for having sex in other contexts than that, but that I feel like _I_ couldn't do it. 

I talked at great length to Ari about this last night, and in thinking back on that conversation, I think that part of my problem with developing a coherent sexual ethic is that the Scriptures are basically silent on this.  Yes there's a big chunk of Leviticus, but as Christians we reject plenty of those laws (sexual and otherwise) as applying to us (and plenty of Jews don't seem them as applicable to them either) -- and they're not all that useful for developing a nuanced contemporary sexual ethics even if you do accept all of them as being still applicable.

Slacktivist has been talking recently ["Sex & Money, part 1: Or, How I Learned to Stop Worrying and Love the South Shore Bank" & "Sex & Money, part 2"] about major vs. minor themes in the Bible, and sexual ethics just isn't a major theme.  Purity laws come up a lot (and get rejected by the dominant voices of the early Christian church), but sexual ethics in the way that we would think of them (mutually consent between equal partners) are a largely anachronistic concern for the writers of the Scriptures in a world where marriage/children were so intertwined with property/inheritance.

I guess the question of what a sexual ethics should look like requires an answer to the question of what sex is "for."  I believe that sexuality is a good gift from God and it's definitely not (just) "for" procreation.

And yeah, I have no conclusion and I think I am tiring of this topic for the time being.

***

Speaking of having absorbed cultural norms...

In discussion on Lorraine's journal about when/where wearing shorts is appropriate, I articulated that I have internalized the societal norm of body hair being unattractive, but I have failed to internalize the part about how that applies only to women (and of course I don't think actual systems should be based on those aesthetic norms).
hermionesviolin: a build-a-bear, facing the viewer, with a white t-shirt and a rainbow stitched tattoo bicep tattoo (pride)
So, Queer the Census has a Bracket of Evil.  My feelings about *that* aside, I am deeply uncomfortable that one of their categories is "Crazies."  Way to contribute to the stigmatization and marginalization of persons with mental illness.  I am proud of me that I shot them back a quick email registering my discomfort (totally not as thoughtful and articulate as it could have been, but I decided I didn't have the energy for that kind of perfectionism today and if I just shot off a quick email it would actually get sent, as opposed to my usual m.o. of never getting anything finished).
hermionesviolin: photoshoot image of Michelle Trachtenberg (who plays Dawn in the tv show Buffy) looking seriously (angrily?) at the viewer, with bookshelves in the background (angry - books)
I've never had any real involvement with Amanda Palmer, but I have friends who were fans. I first heard about the Evelyn Evelyn project I have no idea where, but I heard about it in a way that made me think it was Amanda Palmer and Jason Webley pretending to be conjoined twins. How this was "edgy" or "artsy" or whatever was totally lost on me, but I didn't really engage with it. Then the Evelyn Evelyn thing blew up on the Internet a couple of weeks ago. I read AFP's big blogpost telling the Evelyn Evelyn backstory [before it got edited], and reading it I took it totally at face value -- apparently missed whatever cues were supposed to tell me it was performance art. (I've read that the promo vid and such are pretty transparent, and I don't doubt that.) I read a whole bunch of critiques of the project [e.g., this and this, if you're unfamiliar and want a place to start] and of Amanda's (and Jason's) responses to the critiques. I agree with the people who think the Evelyn Evelyn project is problematic and that Amanda and Jason should have been more thoughtful. I'm skeptical of Amanda and Jason's "oh, if you'd learned EE's tragic backstory through the beautiful art that is the album, instead of this blogpost, you wouldn't be so offended," and am not really interested in withholding judgment until the album comes out. I've not been entirely unsympathetic to Amanda and Jason, though.

Then [livejournal.com profile] sharpest_rose linked to this. I am officially repulsed by Amanda Palmer.

Edit: [livejournal.com profile] sharpest_rose posted:
I have put all my Dresden Dolls and Amanda Palmer stuff up for auction.

I will be donating the high bid to a charity which supports disabled women; I'm happy to work out the specifics of which organisation and what name the donation is given under with the winner of the auction.

Please pass on the link and spread the word. Let's make something beautiful grow out of this dirt.
hermionesviolin: image of Buffy and Giles seated in the school library with text "knowledge is power" (knowledge is power)
il my best friend

She forwarded me the below with the note "I thought this might be relevant to your interests."

Though the public hearing is on a teaching day, and I already wanna take the following day (also a teaching day) off to go to First Church Somerville's prayer retreat.

Read more... )
hermionesviolin: a photoshoot image of Michelle Trachtenberg peering out from behind some ivy, with text "taken out of context I must seem so strange" (taken out of context)
I don't know if there's a specific charity for "Donations in Pat Robertson's name to gay atheist Haitians currently getting abortions" but if there is, I'm sure there's a way to arrange an auction for it. -TBQ
hermionesviolin: (light in the darkness)
The readings this morning were

Isaiah 9:2-7
Luke 2:15-20

FCS-Ian said that he's struck by the image of the little baby in the Isaiah passage, in contrast to all the stuff about warriors, garments drenched in blood and all that. I said, "but the garments drenched in blood will be fuel for the fire -- war is over."

Ian, his dad, Tim D., and I, went to breakfast at The Broken Yolk.

I had almost nothing to do at work, so I caught up on YouTube embeds on "when loves come to town" blog. One was U2 doing "I Believe in Father Christmas." [blogpost, YouTube, lyrics]

One line is "Hallelujah Noel, be it Heaven or Hell, the Christmas you we get you we deserve." I expected the song to go on and undermine that line, but it turns out to be the last line.

I, of course, have problems with that. There are people who are grieving, and the deaths of their loved ones are not their fault, and grief isn't something you can just turn off at will.

In her Reflection last night, Laura Ruth talked about how one thing that helps her in the Christmas season is the reminder that we do this every year -- that she doesn't have to wholly "get it right" this time.

As I was nearing my house around ten past two this afternoon, birds were twittering and stuff was melted and it felt rather like spring (weather.com said 37F *shrug*), which felt somewhat fitting. (It got cold once the sun had set, though.)

On the Senate passing the health care bill, Megan McArdle said:
I'm not sure how much more point there is in talking about it until the legislative particulars emerge from the final bill. At this point, pretty much everyone is exhausted--the politicians, the CBO analysts, and the journalists who cover it. I assume y'all are too.

So go have a merry Christmas. Whatever you think of this bill, things will still be better than they ever have been in all of human history whether or not it passes. So go out and sample some peace on earth and goodwill to men for a few days. After the holiday, we can all get back to shouting at each other.
I was unimpressed by CHPC's Christmas Eve service. I did like that in the Prayer, Karl said, "In this season of excess, we remember all who are empty." And I also liked the Affirmation of Faith:
I believe in Jesus Christ and in the beauty of the gospel begun in Bethlehem.

I believe in the one whose spirit glorified a little town; and whose spirit still brings music to persons all over the world in towns large and small.

I believe in the one for whom the crowded inn could find no room, and I confess that my heart still sometimes wants to exclude Christ and others from my life today.

I believe in the one who the rulers of the earth ignored and the proud could never understand; whose life was among the common people, whose welcome came from persons of hungry hearts.

I believe in the one who proclaimed the love of God to be invincible.

I believe in the one whose cradle was a mother's arms and who by love brought sinners back to life, and lifted human weakness up to meet the strength of God.

I confess our ever-lasting need of God, the need of new life for empty souls, the need of love for hearts grown cold.

I believe in Jesus, the beloved child of the living God, born in Bethlehem this night, for me and for the world.

(Walter Russell Bowie, adapted)
[NGL, I almost got choked up at that last bit.]

UCN's Christmas Eve service was, basically, the same one it is every year (see tag/previous year's entries). CHPC uses The New Century Hymnal (to Karl's disgruntlement) and tonight I kept feeling really thrown by the slightly changed lyrics (and it's not all gender -- "O Little Town of Bethlehem" has "No one discerns God's coming..." instead of the ableist "No ear may hear His coming...") because I was instinctively singing the traditional words, even all the "O come let us adore Him," without even registering them as male-default/hierarchical; but then I was at UCN (whose hymnal has all the traditional words) and noticed all the male etc. language and wasn't pleased about singing the traditional versions.

CHPC didn't dim the sanctuary at all, and UCN was dim but then we raised the lights on the front part so Pastor Bill could read everything (he's in a wheelchair, so he was down at the Communion table rather than up in a pulpit which would have its own light) and didn't ever dim them again. Lessens the effect of the candlelit "Silent Night" a bit. Sigh.

Scott emailed me tonight, Subject: "MC, QED! <eom>"

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hermionesviolin: an image of Alyson Hannigan (who plays Willow Rosenberg) with animated text "you think you know / what you are / what's to come / you haven't even / BEGUN" (Default)
Elizabeth (the delinquent, ecumenical)

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