This past week, I literally saw one film a day for 1 week straight (except for Friday when I was gonna go see Selma at the Brattle but I had started fading before EOB, so I went home and slept for 13 hours instead).
I feel like by this time last year I was excited about a lot of potential Oscar nominees/Christmas releases -- Moana, Hidden Figures, I Am Not Your Negro, Star Wars: Rogue One, A United Kingdom -- but the films I'm looking forward to are further out in next year: Black Panther (Feb 16) and A Wrinkle in Time (Mar 9) and Pacific Rim: Uprising (Mar 23 -- I still need to watch the first one). And Spider-man: Into the Spider-verse (Miles Morales! finally!) Christmas 2018 (December 14?). [Edited to add: and after we all canceled JKR on account of her terrible statement about continuing to cast Johnny Depp,
thingswithwings RTed Elizabeth May's Tweet Anyway, apparently the next Fantastic Beasts movie comes out the same day as a movie called "Widows" and it's a fucking ALL WOMEN HEIST MOVIE written by Gillian Flynn and starring Viola Davis. YES PLEASE AND THANK YOU. That's Nov 16. And it's true that Ocean's Eight (the one with 8 women) is coming out on June 8. And apparently Deadpool 2 is out June 1 -- though I still need to watch the first one. And I might watch Ant-Man & The Wasp (July 6) and/or Aquaman (Dec 21). And okay, now that I've fallen into the rabbit hole of anticipated movies of 2018 lists, apparently On The Basis of Sex is a Ruth Bader Ginsberg biopic, as yet without a release date.]
Maybe I've just seen more of the Christmas-time movies earlier in the season this year? Maybe some of the trailers are barely out yet? (I only saw a trailer for The Post -- Dec 22 limited release, Jan 12 everywhere -- before The Shape of Water on Saturday.)
Anyway, my week in movies:
Wed = Coco with
thedeadparrot (who Tweeted, "I found Coco extremely delightful even if all the plot points could be seen from about a mile away. Definitely worth staying up late on a weeknight for.")
Thurs = Tom of Finland at Bright Lights
Fri = Selma at the Brattle (part of their In Our View: Films by African American Women, part of their A Year of Women in Cinema)
Sat = The Shape of Water with
silverbluefic,
thedeadparrot, and
jjhunter -- would recommend, even better seeing it with fen (we were all reacting at the same time)
Sun = Daughters of the Dust at the Brattle (part of their In Our View: Films by African American Women, part of their A Year of Women in Cinema)
Mon = The Other Side of Hope at the Kendall with
bironic After I saw The Shape of Water, I scrolled back through film Twitter for reviews (largely so I could RT them to encourage people to see the movie) and the Coolidge had Tweeted Slant Magazine's "The 25 Best Films of 2017." Dated Dec 8. I have a lot of feelings about doing retrospectives before the year is actually over. (I assume the writers have already seen advance screeners of stuff like The Post -- and their list is clearly all Srs Bznz, so I don't expect stuff like Star Wars: The Last Jedi [also not out yet] or Wonder Woman to have been in their running, but I was still a little peeved that The Shape of Water wasn't on their list.)
Also, okay, their list is Serious Business, but it does include Personal Shopper (KStew talks to ghosts) -- and Blade Runner 2049 makes their next 25 (I was pleased that Dunkirk was only ranked #46 -- I have not seen Dunkirk, but I saw ads for it so many times the beginning of this year, and ugh white dude WWII films).
I had heard of 13 of the films on their list (which is a higher percentage than it felt like as I was reading through) and of those, had seen 2 (I Am Not Your Negro and Get Out).
I guess the Golden Globe nominees are out this morning? And The Shape of Water has "a bajillion" nominations (to quote a colleague this morning, who was talking about the Critics' Choice Awards). Still bitter that Get Out was nominated as a fucking comedy.
Golden Globes
Best Motion Picture - Drama
Best Picture
And (h/t Teen Vogue) @loudlysilent Tweeted, "ALL FIFTEEN of the #GoldenGlobes nominees for Best Actress in a Musical or Comedy, Drama, and TV Drama are white."
Edit the next day: Rotten Tomatoes Tweeted:
I feel like by this time last year I was excited about a lot of potential Oscar nominees/Christmas releases -- Moana, Hidden Figures, I Am Not Your Negro, Star Wars: Rogue One, A United Kingdom -- but the films I'm looking forward to are further out in next year: Black Panther (Feb 16) and A Wrinkle in Time (Mar 9) and Pacific Rim: Uprising (Mar 23 -- I still need to watch the first one). And Spider-man: Into the Spider-verse (Miles Morales! finally!) Christmas 2018 (December 14?). [Edited to add: and after we all canceled JKR on account of her terrible statement about continuing to cast Johnny Depp,
Maybe I've just seen more of the Christmas-time movies earlier in the season this year? Maybe some of the trailers are barely out yet? (I only saw a trailer for The Post -- Dec 22 limited release, Jan 12 everywhere -- before The Shape of Water on Saturday.)
Anyway, my week in movies:
- Tues = Stumped at Bright Lights (Emerson's free film screening series)
- documentary about a quad amputee
- bonus: he has a male partner and it's not About Being Gay at all
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- Remezcla has a round-up of Latinx film critics on this Day of the Dead film
- We were warned that it was preceded by a terrible 20-minute Frozen short ("Olaf's Frozen Adventure"), so we took our time getting there, but we ended up seeing I would estimate most of the short, and we didn't hate it (maybe because we hadn't seen Frozen?) though
allofthefeelings later ReTumbled an article about how its inclusion of Jews is anachronistic because Jews weren't allowed in Norway at the time Frozen is set D:
- Boston premiere of the biopic about the gay erotic artist (who was also a WWII vet, I had not realized)
- content notes for war (including PTSD) and some homophobic violence (not super-graphic, but definitely present)
- Norway's submission to the Oscars this year
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- at age six, Guillermo del Toro was overwhelmed by the beauty of The Creature from the Black Lagoon and was sad that the Creature and the woman don't end up together as they should have [for more on that, read this interview]
- content notes for some body horror, and a sort of accidental animal death as well as a little
canon complianthistorically accurate racism and homophobia (it's set in 1962)
- "At the dawn of the 20th century, a family in the Gullah community of coastal South Carolina -- former West African slaves who adopted many of their ancestors' Yoruba traditions" plan to move to the mainland, but not everyone wants to.
- I feel like I mostly heard about this 1991 film around #LemonadeSyllabus.
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- Syrian refugee in Finland (Aki Kaurismäki)
Also, okay, their list is Serious Business, but it does include Personal Shopper (KStew talks to ghosts) -- and Blade Runner 2049 makes their next 25 (I was pleased that Dunkirk was only ranked #46 -- I have not seen Dunkirk, but I saw ads for it so many times the beginning of this year, and ugh white dude WWII films).
I had heard of 13 of the films on their list (which is a higher percentage than it felt like as I was reading through) and of those, had seen 2 (I Am Not Your Negro and Get Out).
I guess the Golden Globe nominees are out this morning? And The Shape of Water has "a bajillion" nominations (to quote a colleague this morning, who was talking about the Critics' Choice Awards). Still bitter that Get Out was nominated as a fucking comedy.
Golden Globes
Best Motion Picture - Drama
- Call Me By Your Name -- *shrug* white gay dudes (I finally actually saw an ad for it before The Other Side of Hope tonight; not to be confused God's Own Country, the gay British film with sheep, this is the gay Italian coming-of-age film)
- Dunkirk -- ugh, as mentioned above, white dude WWII film (with bonus erasure of the Indian soldiers who fought at Dunkirk)
- The Post -- I'm interested to see this (it's about the Washington Post publishing the Pentagon Papers -- timely film is timely; not about government secrets per se, but about the obligation of journalism to reveal the truth even in the face of political pressure -- with bonus female lead)
- The Shape of Water -- YES
- Three Billboards Outside Ebbing, Missouri -- I would have been more excited about this film (which I haven't seen) about the failure of the legal system to pursue justice for victims if it had been about a black victim rather than a white victim and lo, a BuzzFeed article asks, "What happens when your resonant dark comedy about female anger is also a lousy one about racism?"
- Get Out -- YES
- The Greatest Showman -- I had not even heard of this (P.T. Barnum)
- I, Tonya -- I'm potentially interested to see this
- Lady Bird -- I've heard good things about this but am not personally interested
- The Disaster Artist -- blah, James Franco
Best Picture
- The Big Sick -- I saw this and enjoyed it, though I found it flawed and definitely understand why some people found it problematic
- Call Me by Your Name
- Darkest Hour -- another WWII film (Churchill)
- Dunkirk
- The Florida Project -- I'm interested to see this
- Get Out
- Lady Bird
- The Post
- The Shape of Water
- Three Billboards Outside Ebbing, Missouri
greta gerwig directed lady bird. 197 reviews. 99% on rotten tomatoes.:/
patty jenkins directed wonder woman. one of the biggest movies of the year. critical success as well.
yet the Golden Globes chose to nominate 5 men in their "Best Director" category instead. let it sink in.
And (h/t Teen Vogue) @loudlysilent Tweeted, "ALL FIFTEEN of the #GoldenGlobes nominees for Best Actress in a Musical or Comedy, Drama, and TV Drama are white."
Edit the next day: Rotten Tomatoes Tweeted:
Patty Jenkins (#WonderWoman 92% 🍅)The linked article also notes, "Ava DuVernay was the last woman to receive a Golden Globe nomination for best director in 2015. DuVernay is also one of only five women to be nominated in that category in the award ceremony’s 75-year history."
Dee Rees (#Mudbound 97% 🍅)
Greta Gerwig (#LadyBird 99% 🍅)
Kathryn Bigelow (#Detroit 83% 🍅)
None were nominated for a #GoldenGlobe
The Golden Globes Have a Problem with Women Directors