hermionesviolin: (be brave now)
[personal profile] hermionesviolin
So, ASP did a Winter Festival this year -- 3 shows, each with a short run.

(1) Shakespeare's Cymbeline -- a pared-down version of a minor play (there's a good review by someone else here)

(2) The Hotel Nepenthe -- a surreal series of interconnected vignettes which I enjoyed more than I was initially expecting

(3) Living in Exile -- an adaptation of a retelling of the Iliad

I cried a number of times in the first act -- which ends right before the Iliad actually begins (which explains why so many of the stories in the first act felt new to me). Early in the second act, I thought I wouldn't like the second act as much as I did the first, since I'm not actually a big fan of the Iliad, but the second act pulled me right along (though it is genuinely shorter than the first act).

When Patroklos begged Achilles for his armor, I wept -- held my hands in front of my face and wept, knowing what would come next. ([livejournal.com profile] musesfool, I thought of you.)

I also wept during Priam in Achilles' tent, though less hard.

Date: 2011-03-26 03:03 am (UTC)
From: [identity profile] marketsquare.livejournal.com
wept, knowing what would come next

This. Haven't seen this particular play-- but yes, when they're doing myth right, that's how we feel.

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hermionesviolin: an image of Alyson Hannigan (who plays Willow Rosenberg) with animated text "you think you know / what you are / what's to come / you haven't even / BEGUN" (Default)
Elizabeth (the delinquent, ecumenical)

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