hermionesviolin: young black woman(?) with curly hair and pink sunglasses, facing away from the viewer (every week is ibarw)
2020-06-03 11:49 am

"picture books on racism/police brutality" (etc.)

Email I just got to send 14 HBS faculty:
Thanks to everyone for your time this morning.

I’ll clean up the notes from the meeting and work with [M.] on a Doodle poll for 45-minute tours of his online course.

In the meantime, while we were settling in, [F.] had mentioned struggling to explain to her 7-year-old that the people who are supposed to protect us aren’t, and I had offered to share some picture book recommendations.

In the chat, [A.] shared A Kids Book About Racism (https://akidsbookabout.com/products/a-kids-book-about-racism) and I shared Something Happened in Our Town: A Child's Story About Racial Injustice (https://www.apa.org/pubs/magination/441B228).

A friend had recently posted to Facebook crowdsourcing for “useful, honest books about race in the United States for different age cohorts” and someone linked to this GoogleDoc of books for kids ages 0-12 in a bunch of topical categories (including “Police Brutality/Racist Attacks/Black Lives Matter/Incarceration”): https://docs.google.com/document/d/15H1nzEIbC53OojvsLnlxM2zGYktooOGlOFMZ9xO74zk/mobilebasic
hermionesviolin: black and white photo of Emma Watson as Hermione, with text "hermionesviolin" (hermione by oatmilk)
2005-07-21 02:35 pm
Entry tags:

Charlie and the Chocolate Factory (Roald Dahl)

I reread this recently. (Wow, such a short read.)

Wonka's hard to get a handle on and is a weird man. I suspect neither as happy bouncy as Gene Wilder nor as dark seductive fucked up as Johnny Depp, but i barely remember the old movie and am not seeing the new movie.

For all that he’s a focal point of both movies (and he is the Prime Mover of the book) he’s really not in the book all that much. He dances around and leads them through the factory and is magnificently blase about everything, but i’m not sure i’d be able to flesh him out into a full movie character.

All this magical stuff goes on in his factory, with no real explanation, and whenever anyone presses him for an explanation or points out a contradiction/inconsistency/etc. with an explanation he’s given, he just does something like feign deafness. This is even worse in the sequel, Charlie and the Great Glass Elevator. I wish i knew what Dahl was trying to get at because it’s so obvious and over-the-top and self-aware that it can’t just be bad writing. (Though the over-top incompetency of the U.S government in Great Glass Elevator does bug me as an authorial choice. I’m probably just sensitized, but i don’t find it amusing.)
hermionesviolin: animated icon of a book open on a desk, with text magically appearing on it, with text "tell me a story" framing it (tell me a story [lizzieb])
2005-04-15 01:04 am

"i wonder if everything i do i do instead of something i want to do more"

NMB asked us to read the Grimms' "Snow White" and think about the symbols and what they meant to us and then read Gilbert and Gubar's article. I knew i had already read both and written a short paper applying the article to the Sigourney Weaver Snow White: A Tale of Terror, but i figured i could compartmentalize. What i hadn't expected (though i should have) was how much i was reminded of other tale variants as i read. Not that i conflated fanon and canon, but i was reminded of them -- like how certain Biblical passages or ideas remind me of Joel's class last semester. As i read the very opening of the story i thought of Angela Carter's "The Snow Child." At the introduction of the huntsman i thought of The Tenth Kingdom. And by this point i was well aware that i was aware of variants and i began to recall the assorted variants i had seen or read and the different presentations of the scenes flitted through my mind as i read the scenes. I also realized that i had forgotten the "Goldilocks"-esque quality of some of it. Also: the story is problematic in a multiplicity of ways that i hadn't caught last time (primarily in narrative integrity, 'cause i'm Consistency Bitch).

I want Snow White/huntsman fic.
From the point of view of the mad, self-assertive Queen, conventional female arts kill. But from the point of view of the docile and selfless princess, such arts, even while they kill, confer the only measure of power available to a woman in a patriarchal culture.

-page 295 in Maria Tatar's The Classic Fairy Tales
That was one of my favorite sections of the Gilbert and Gubar piece. (Sandra M. Gilbert and Susan Gubar, "Snow White and Her Wicked Stepmother" from The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, 1979)

I got to be smart in class. I used other texts as avenues into the Grimms' "Snow White" (not just saying "Let me tell you about all these interesting variants i've seen/read") and focused on imagery and made good arguments and yay. I talked about connecting the mother figures, and the creepiness of the opening scene (influenced by Angela Carter's "The Snow Child" and the Sigourney Weaver Snow White: A Tale of Terror) and the initiation into adulthood (helped by some poem i read and now cannot find -- oops, actually 10th Kingdom; IMDb quotage gives me: "Why did I let her in? Didn't I know she was bad? Yes, I did. But I also knew I couldn't keep the door closed all my life just because it was dangerous. Just because there was a chance I might get hurt."). Later in the class NMB actually handed out Angela Carter's "The Snow Child" and talked about it, and Becca came up with the great phrases "necropedophelia incest" and "adulterous affair with strange construct" in discussing the story.

And discussing sexual themes in children's lit and how much goes over children's heads, Heather said, "They're not watching porn like the rest of us." (Equally amusing was seeing the shocked faces of some classmates who clearly don't watch porn on a regular basis. Personally, i'll take Candi and her "eroticised childhood.")

Discussing "Snow White" and the G&G article, NMB mentioned Marina Warner's reading of the wicked mother figure in many fairy tales as a mother-in-law, which i'm fairly certain i read while taking Betsey's class, but which i had forgotten about. Becca pointed out that in French, "stepmother" and "mother-in-law" are the same word -- again with the me having forgotten from Betsey's class.
NMB talked about the daughter-in-law as teller of the story and the safe cottage as fantasy and said lots of things which made sense and maybe this time they'll actually stick in my brain so as to inform my future readings of Grimms' tales.

She also handed around the announcement of the department honors thesis presentations, and AJ said i can leave work early to attend the Monday one. I imagine at some point all majors will get the announcement e-mailed out to them, but for now here's the list.

Thursday April 21, 5pm - Candi (Nabokov) and Gillian (Doris Lessing)
Monday, April 25, 4pm - Victoria Whom I Don't Know (Auden's Spiritual Calendar), Liz In My Seminar (Lewis' Space Trilogy), Jessica (first creative writing thesis ever allowed by the Smith College English Department)

In Telling&Retelling, Skarda said that Mary Krull (The Hours) made her think of me because gender studies, people actually attend her lectures, and piercings. Um, cultural studies prof... i'm only vaguely seeing the connection here. I actually liked Robin Lippincott's Mr. Dalloway, and she said i could do my final paper on that if i wanted, which was nice, though i'm gonna stick with defending The Eyre Affair.

Skarda says they're gonna phase 199 into being optional, that you're gonna be required to take 2 of the following 4: 199, 200, 201, and the AmLit-1865 survey. Oh so much love.

In other news: apparently we're recycling a quote from a 2000 Jane interview. ("I'm the person most likely to sleep with my female fans.") I don't think i'd realized that she's said for years that she's bisexual.
from a 2000 Elle interview: "Honestly, I like everything. Boyish girls, girlish boys, the heavy and the skinny. Which is a problem when I’m walking down the street." and "I need someone physically stronger than me. I am always on top. It's really unfortunate. I am begging for the man that can put me on the bottom. Or the woman. Anybody that can take me down."
Who wants to write rps?

I had a nonsexual date with Cat (and Haven!Laura) tonight to go to the Senior Dance Concert. Johnna's was definitely my favorite. The fluid motions and the cool-color-end-of-the-spectrum outfits of tank tops and swishy pants that flowed into each other, and ShavedHeadGirl looked like she was enjoying herself so much, and the second part i was less fond of, but it grew on me, and part of the issue was just that the artistic vision of the song that Johnna was enacting was not how i would choreograph that song were i ever to. And yes okay it helped that i already knew and loved the music. (It was Ani's "Swan Dive" for the ensemble piece and then a solo to "Joyful Girl.")

ShavedHeadGirl reminded me somewhat of Bryn and at certain moments of [livejournal.com profile] paper_crystals. She's an '07, so there are only 3 semesters of classes i could have had with her, and recalling all those classes i can't particularly see her in any of them. It's possible that she just reminds me of Abigail in my Telling&Retelling class, but i feel like the memory goes back further.

"Marty the used car salesman" is from First Wives Club (Brenda's husband) -- for anyone who was there during that dinner conversation.

Cuthbert and Floris now grace my door.

I like David Brooks. (And Thomas Friedman.)
hermionesviolin: photoshoot image of Michelle Trachtenberg (who plays Dawn in the tv show Buffy) looking seriously (angrily?) at the viewer, with bookshelves in the background (angry - books)
2005-02-26 07:46 pm

"I love, rock and roll."

I was going to read all of G. K. Chesteron's Orthodoxy even though we were only asked to read the first 4 chapters. However, i am not a fan and am muchly disinclined to read the rest. (Even though the titles imply that some of the other chapters talk more explicitly about Christianity, which is a big selling point -- especially since Chesterton barely touched on Christianity in the first 4 chapters.) I didn't disagree with everything he said, but i disagreed with a lot, and his tone frequently rubbed me the wrong way, and his arguments often seemed flawed.

In other news, i reread The Polar Express. My Santa issues mean i enjoy it less than most. And as predicted, i do prefer my remembered (more accurately, "imagined," i suppose) ending. But not for the reason i had originally expected. spoilers )